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Prick of the Spindle is a quarterly online journal that is open to forms in both traditional and experimental modes, with a special bent toward fresh and innovative voices using language in unique ways. We are currently reading for Vol. 4.1, forthcoming late March 2010. If you are interested in being considered for publication in Prick of the Spindle, please take care to read the guidelines for submitting your previously unpublished work.

There is no reading fee, and submissions are accepted year-round. We do send a courtesy e-mail notifying authors that we have received their submission; if you do not hear from us with a decision within three months of submitting, please feel free to send a query.

Submit to Prick of the Spindle using our submission manager.

You may submit up to five pieces per category. Entries should be in a single attachment, and include a brief 3rd person bio. Submissions should be formatted to read title first, writer name, then text body. Please do not use text smaller than 12 point or any unnecessary formatting, such as excessive bolding and italics, unless it is inherent to the spirit of the work. Fiction submissions should be double-spaced with only one space between sentences.

We are open to publishing fiction varying in length from flash to novelettes (which are 7,500 to 17,500 words). Longer works should be directed to our print component, Aqueous Books. We are seeking reviews in the realms of academic literature, fiction, and poetry. Reviews can consist of works of literary criticism, book reviews, and academic analyses or essays.

We allow simultaneous submissions only on the condition that you notify us immediately if your work is accepted for publication elsewhere. We work very hard (for free) to maintain high standards of excellence, and expect the same level of professionalism from all who submit. Upon acceptance, Prick of the Spindle acquires first (electronic) serial publication rights, after which the copyright reverts to the author. When you submit, you do so with the understanding that your work will be archived on the site. If you have been published within our virtual pages, we ask that you wait a year before submitting again. However, if you submit and your work is rejected, you may continue submitting once per (quarterly) reading period.

We do not publish children's or young adult fiction, and we tend away from genre fiction, unless it is especially well-written with a particularly contemporary flavor. To give yourself the best chances of acceptance, read the journal to get a feel for what we like before submitting.

Please direct general questions and inquiries for reviews and interviews to pseditor (at) prickofthespindle (dot) com. We generally do not review self-published works.

To submit art and podcasts, visit our submission manager (see link above). Artwork will be initially considered for the online galleries; please indicate whether you are interested in having your work considered for cover art in a future issue.

To submit short films, please e-mail the link where the film can be found or a .mov file around 30 minutes or shorter to pseditor (at) prickofthespindle (dot) com. In general, we are seeking films with an experimental or indie quality that emphasizes storyline or visual elements. We are open to different varieties; if you are unsure whether your work is a fit, send it on anyway. We'd be happy to have a look.

Electronic submissions are encouraged; however, postal correspondence (please include self-addressed, stamped envelope or e-mail address for reply on submissions) may be directed to:

Prick of the Spindle
P.O. Box 12784
Pensacola, FL 32591

 

 

Review Shelf

If you are interested in reviewing one of the books on our review shelf for an upcoming issue, please contact pseditor (at) prickofthespindle (dot) com with your previous reviews and publications, mailing address, and the name of the book requested. Limit one book per request.

FICTION:

* Stories II  by Scott McClanahan (Six Gallery Press)

* The Antiracism Trainings by David Reich (BlazeVOX Books)

NONFICTION:

* Murderous Intellectuals: German Elites and the Nazi SS by Jonathan Maxwell (Millenial Mind Publishing)

POETRY:

* Stars of the Night Commute by Ana Bozicevic (Tarpaulin Sky Press)

* What to Tell the Sleeping Babies by MRB Chelko (Sunnyoutside Press)

* Fondant Pig Angst by Juliet Cook (Slash Pine Press)

* Under What Stars by Ryan J. Davidson (Ampersand Books)

* The Broken and the Damned by Jason Hardung (Epic Rites Press)

* Mr. Worthington's Beautiful Experiments on Splashes by Genine Lentine (New Michigan Press)

* The Spare Room by Dana Guthrie Martin (Blood Pudding Press)

* I is to Vorticism by Ben Mirov (New Michigan Press)

* Omnivore by Allan Peterson (Bateau Press)

* A Bellyful of Anarchy by Rob Plath (Epic Rites Press)

* Narcissistic Injury by Amy Riddell (Pudding House Publications)

* The Fire Diaries by Matt Schumacher (Wordcraft of Oregon)

* In the Architecture of Bone by Alan Semerdjian (GenPop Books)

* Tourist at a Miracle by Mark Statman (Hanging Loose Press)

* Soot by Jeff Walt (Seven Kitchens Press; No. 5 in Keystone Chapbook Series, Co-Winner of 2009 Keystone Chapbook Prize)