Natural Habitat
By Michelle Reale

Reviewed by Laura Ellen Scott

Burning River, 2010
Perfect Bound; 56pp; $5

Friday nights we all went out to dinner as a family. The Pike Family Restaurant had “homestyle” cooking, dull wood paneling and accepted cash only. . . The five of us squeezed into a booth and held the large sticky menus in front of us like we were reading for pleasure.
— From “Bonding”

As very short fiction moved from its boutique, periphery status toward the center of literary action, did anyone anticipate the rescue and recovery of the domestic story? Probably not, otherwise we wouldn’t be struggling against labels like flash or sudden that promise breathless tricks and mind-bending facility, but do nothing to prepare us for the soulful narratives of family, class, and place that come to us from writers like Michelle Reale. The twelve brief stories in Reale’s new collection, Natural Habitat, from Burning River Press, have all been published previously. You might have come across two or three, recognized their intersections and thought, Oh, Michelle is worrying a theme. Deliberately, each of these stories is like a house in a dream-faded neighborhood where only children and dogs are happy, and even then just briefly.

As an object, Natural Habitat is irresistible. The cover of the 5x5 inch paperback features a tinted image of a wretched building, providing the first glimpse into the fictive neighborhood that Reale builds for us, story by story. The community is inspired by her childhood memories as she explains in the introduction: “That house, that neighborhood and the blocks surrounding it which included most of my relatives, the few friends I had, our parish and our school, were my entire life.” And so we might brace for nostalgia, but instead we get something gothic, the darkness of the lost and losing:

The older son swats at the bat with the broom, but the bat flies with ease, high and then low. Jesus hangs on his cross and watches. One by one the children leave the room. Dinner will be set for them somewhere.
— From “And She Flew”

Reale gives us emotional images, free of pretense and excuse. Her children are worried children. Her adults have moved past worry into a world with only one mystery left. Food binds and divides. Cigarettes are desperate flags. Sexuality and cancer are equal specters, hovering over every conversation. From the claustrophobia of the first story to the uncertain release of the final, moments accumulate across these very short narratives to create the feel of a novelistic world while shaking off the mannered dreams of traditional forms.

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Laura Ellen Scott teaches fiction writing at George Mason University in Fairfax, Virginia. Her short fiction has been selected for Wigleaf’s Top Fifty, Short Story Month, Eclectica Best Fiction, Gravity Dancers: More Fiction by Washington Area Women, and Barellhouse’s “Futures.” She was nominated twice for Dzanc’s Best of the Web and has made the StorySouth Million Writers notable stories list three times. Most of her published work is linked at her blog, Probably just a story. Laura is also the curator of VIPs on vsf, where editors and writers of very short fiction express very brief thoughts on form and craft.

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